Wednesday 4 June 2008

Fra Angelico paintings

Fra Angelico paintings
Frederic Edwin Church paintings
Frederic Remington paintings
Francisco de Goya paintings
must divide her for ever from the object of her love, and that Marianne was internally dwelling on the perfections of a man, of whose whole heart she felt thoroughly possessed, and whom she expected to see in every carriage which drove near their house.
The necessity of concealing from her mother and Marianne, what had been entrusted in confidence to herself, though it obliged her to unceasing exertion, was no aggravation of Elinor's distress. On the contrary, it was a relief to her, to be spared the communication of what would give such affliction to them, and to be saved likewise from hearing that condemnation of Edward, which would probably flow from the excess of their partial affection for herself, and which was more than she felt equal to support.
From their counsel or their conversation she knew she could receive no assistance; their tenderness and sorrow must add to her distress, while her self-command would neither receive

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