Friday 20 June 2008

Thomas Kinkade Abundant Harvest painting

Thomas Kinkade Abundant Harvest painting
Thomas Kinkade A Winter's Cottage painting
Very likely. Yet the fact remains that the reader, who was a fine, robust old man, was knocked clean down by it as if it had been the butt end of a pistol."
"You arouse my curiosity," said I. But why did you say just now that there were very particular reasons why I should study this case?"
"Because it was the first in which I was ever engaged."
I had often endeavoured to elicit from my companion what had first turned his mind in the direction of criminal research, but had never caught him before in a communicative humour. Now he sat forward in his armchair and spread out the documents upon his knees. Then he lit his pipe and sat for some time smoking and turning them over.
"You never heard me talk of Victor Trevor?" he asked. "He was the only friend I made during the two years I was at college. I was never a very sociable fellow, Watson, always rather fond of moping in my rooms and working out my own little methods of thought, so that I never mixed much with the men of my year. Bar fencing and boxing I had few athletic tastes, and then my line of study was quite distinct from that of the other fellows, so that we had no points of contact at all. Trevor was the only man I knew, and that only through the accident of his bull terrier freezing on to my ankle one morning as I went down to chapel.

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