Monday 6 October 2008

Salvador Dali The Crucifixion painting

Salvador Dali The Crucifixion paintingSalvador Dali Les Elephants paintingMark Rothko Orange and Yellow painting
get around it: he was so naturally gay and so deeply kind-hearted that you couldn’t help loving him. And he never meant her any harm. He meant so well. That thought used particularly to enrage Jay, and even now it occurred to him with a certain sourness. But now he reflected also: well, but damn it, he did. He may have traded on it, but he never tried to, never knew it gained him anything. He meant the best in the world. And for a moment as he looked at the window he had no mental image of his father nor any thought of him, nor did he hear the clock. He only saw the window, tenderly alight within, and the infinite dark leaning like water against its outer surface, and even the window was not a window, but only something extraordinarily vivid and senseless which for the moment occupied the universe. A sense of enormous distance stole over him, and changed into a moment of insupportable wonder and sadness.
Well, he thought: we’ve all got to go sometime.
Then l came back into focus.
Clean shirt, he thought.

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